October
6, 2000
Issue #4 of the ezine
is done and uploaded finally, and i'm able to relax for
about a week before the panic of what to put in the next
one hits. But it seems that people are liking what
has been put in the 'zine and i haven't produced a total
flop. i can see where some bugs need to be worked
on, and i'm already considering a new design layout.
By issue #6 i'll know if there's enough readers to keep on
going.
i sure hope there will be.
Master has gone to a seminar this weekend, and it's
horribly quiet in the apartment without Him here. He
speaks of psychic space, the space a person fills in a
room and i think i understand now what He means. The
house seems emptier. Like there is a huge gap that needs
to be filled, a void of nothingness, where only moments
before it had been teeming with life.
i think i get maudlin when i'm alone.
On the upside however, both my kids are coming to visit
tomorrow and i'll be cooking thanksgiving dinner for
them. Or at least trying to, given that their
palates are the fussiest ones i've ever encountered.
But at least my daughter shares my love for pumpkin
pie! So far i know she'll eat the pie and mashed
potatoes if i cook them without the skins. And
boneless chicken IF the bones are gone before the chicken
is bought. She claims to still *taste* the bone if
the meat is boned and skinned at home.
i know. i don't get it either.
My mind keeps drifting back to a scene Master and i had
about a week ago. (before our knife adventure!) i
think the reason i keep focusing on it is because He tried
a soft, nylon dance-type hood on me, and had me bound in a
position we haven't tried before.
i was led to the bed and turned to get on it, face down,
but still in 'doggy' position. Master then proceeded
to fasten each of my wrists to it's corresponding
ankle. i was more than a bit surprised at how
vulnerable i felt in this position. He then placed
some pillows between my now bent knees and chest, so that
i could rest my upper body on them. This also kept
me from toppling over onto my head!
As usual i had my eyes closed, so didn't know what it was
that i could hear Him trying to open. It sounded
like plastic and i remember cringing, wondering if it was
a rubber glove and what exactly He intended. i was
wrong. It was the wrapping over a nylon hood.
This hood resembles a bella clava (spelling?), in that it
completely covers the head, except for an opening for the
eyes. It is specifically designed for dancers, but
for scene purposes it is put on the head
backwards.
He put it on me and i tensed. i felt panicked.
i felt like i might not be able to breathe and within
seconds i came close to safewording, something i've never
done in a scene. But then i heard the 'whingah,
whingah, whingah" of a toy cutting through the air,
and the first zing on my butt and my thoughts quickly left
the initial panic.
i still kept my eyes closed, but without any effort at
all. Occasionally i'd feel my lids lifting and a
soft diffusion of light would filter in, but the sense of
being in an ethereal place was strong. At one point,
my mind was totally empty save for the tones of a song on
the cd player, and the pleasure/pain flickering over my
skin. It seemed as though i was in a cocoon.
Later, Master commented that He was surprised i didn't
struggle to remove the hood as quickly as possible after
the scene. But i didn't. He'd unfastened the
cuffs from each other and covered me with a blanket.
i don't know how long it was before i came back, i just
remember drifting here and there in my mind and
occasionally dozing. In fact, it's been a long time
since i've gone that 'deep'. The hood helped keep
the world out.
i loved the calmness; the sense of being 'out of myself',
away from pressures and worries and feelings of
hopelessness and aging and all those other things we seem
to get through in our lives. i love that He can put
me there. i love that i can trust Him that much to
know how, and feel safe with Him.
And at the risk of getting too soppy, i'll go now and
snuggle into the blankets and count the hours till He gets
back.
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